Mar. 23rd, 2007

twirlgrrl: (Default)
Senior year of high school. Advanced English class. Dudley Inggs, our instructor, had thick glasses, gravitas, and a lovely South African accent. He taught us the art of appreciation for poetry. This, by Alan Dugan, has always been one of my favorites. Some find it amusing. I cannot read it aloud without my throat catching at the end.


LOVE SONG: I AND THOU

Nothing is plumb, level or square:
the studs are bowed, the joists
are shaky by nature, no piece fits
any other piece without a gap
or pinch, and bent nails
dance all over the surfacing
like maggots. By Christ
I am no carpenter. I built
the roof for myself, the walls
for myself, the floors
for myself, and got
hung up in it myself. I
danced with a purple thumb
at this house-warming, drunk
with my prime whiskey: rage.
Oh, I spat rage's nails
into the frame-up of my work:
it held. It settled plumb,
level, solid, square and true
for that great moment. Then
it screamed and went on through,
skewing as wrong the other way.
God damned it. This is hell,
but I planned it, I sawed it,
I nailed it, and I
will live in it until it kills me.
I can nail my left palm
to the left-hand crosspiece but
I can't do everything myself.
I need a hand to nail the right,
a help, a love, a you, a wife.
twirlgrrl: (Default)
OK, here's a lighter one, one that I first read in that same Advanced English class and committed to memory immediately.

The Guitarist Tunes Up

With what attentive courtesy he bent
Over his instrument;
Not as a lordly conquerer who could
Command both wire and wood,
But as a man with a loved woman might,
Inquiring with delight
What slight essential things she had to say
Before they started, he and she, to play.

Frances Darwin Cornford

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